The 25 Bargain Buys of Xmas: Day 14

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Isaac Hayes - Hot Buttered Soul LP $3. 

The iconic and ridiculously christened Hot Buttered Soul is a record I've read about for so long but never actually listened to. When a beat-to-hell copy showed up in the bargain bin at my local shop I knew it was time to change that. The hype is real. It indeed kicks ass. Orchestral psych-soul epics. The source of countless hip hop samples (including on a couple of MF Doom tracks) and the forefather of trip hop (heavy Portishead fumes on "Walk on By"). Towers over the other Isaac Hayes records I have, his debut, which is fine but not too exciting (even Ike thinks so), and the Shaft 2xLP which actually is cool just not as cool as Hot Buttered Soul. I've heard Black Moses is similarly riveting so that's my next Hayes target.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 13

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Black Sites - Prototype EP 12" $3. 

I compare my relationship to techno to my relationship with peaches. I enjoy both but don't have an appetite to constantly consume either. If I have one great peach from a farmers market that will probably satiate me until next year. Kinda the same with techno and this year's farmers market peach was this 12" by Black Sites which I bought knowing nothing about other it was on the PAN label (home to great avant-garde releases from Eli Keszler, John Wiese & Evan Parker, Ben Vida etc.). I pretty much buy a PAN record any time I come across one and they rarely disappoint. I'm too ignorant to know if this is "avant-garde techno" or "regular techno" nowadays but it bangs hard. I lean a little toward the former because there is some interesting stuff with combative time signatures and some noisy timbres, but maybe all techno does that now?

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 12

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Wendy Carlos - Switched-On Bach LP $1.50. 

Ongoing debate: Is Switched-On Bach a radical groundbreaking achievement or did it preemptively narrow and limit the scope and definition of what a synthesizer should do, before the world at large even knew what a synthesizer was? I tended to lean toward the latter viewpoint before picking up a copy of the record. Now, I feel like I've been overthinking things a bit. Is Bach's music traditional? Yes. Is Bach's music "Western"? Yes. Does Bach's music kick ass? Yes! And Carlos's arrangements and performances were indeed radical. There's a valid argument to using new technology to create "new" styles of music never heard before but there's an equally valid approach to take something so familiar as to be boring and to transform it into something novel and electrifying (har, har). I mean, reanimating J.S. Bach's ghost with farting sawtooths is pretty anti-establishment. Especially in 1968.

Crumbelievably, Switched-On Bach is somehow not on youtube, so hit your local bargain bin. You may enjoy songs from the other records I wrote about here:

The 25 Bargain Buys of Xmas: Day 11

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

The Kinks - Muswell Hillbillies LP $5. 

Muswell Hillbillies (a pun on their home borough of Muswell Hill in North London) is The Kinks' Sweetheart of the Rodeo in a way. Just as The Byrds went 'n rode the Learjet all the way to Nashville to change up their sound, The Davies boys venture down a new aesthetic boulevard by channeling various strains of old timey Americana roots music to animate their English social class portraiture. I particularly like when they dip into a little Louisiana jazz, such as on "Alcohol". Coming after Lola closed out the classic 60s Kinks period with an exclamation point, Muswell Hillbillies is an overlooked record (at least I don't hear anyone talk about it) but a worthwhile one.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 10

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Duran Duran - Rio LP $4. 

Not sure what exactly prompted me to buy this, other than wanting to support my local record store by cleaning out its bargain bin. I never particularly liked the singles (well "Save a Prayer" is fun and has one of the dumbest/funniest music videos of all time) but I grabbed it anyway. After many listens, I'm still not a great fan of Le Bon's vocal style (which I now realize is what has kept me at arm's length) but it's a actually cool record otherwise, brimming with energy and great synth sounds. Plus, the finale "The Chauffeur" is legit and totally worth the price of admission. Like a John Foxx track snuck onto a hit commercial pop record.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 9

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Emmylou Harris - Luxury Liner LP $5. 

A nice collection of songs from Emmylou here. You have a pair of tunes penned by close collaborator Gram Parsons (the title track and the elegiac "She", arguably his best composition) as well as Susanna Clark, plus selections from classic old timers A.P. Carter and the Louvin Brothers, and even a rousing honky tonk version of Chuck Berry's "(You Never Can Tell) C'est la Vie". The centerpiece is Townes Van Zandt's immortal "Poncho & Lefty", as it's spelled on the jacket, which had been languishing in obscurity for years until Harris introduced it to a wider audience. Harris does justice to both the song's melancholic and mythical natures. The song has gone on to be a country standard (having Willie Nelson and Merle Haggard turn it into a smash hit single will do that) but if I'm not hearing Townes sing it, I hope I'm hearing Emmylou sing it.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 8

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Lewis Furey - Lewis Furey LP $4 CAD. 

This marked my first proper introduction to the work of violinist, pianist and Leonard Cohen collaborator, Lewis Furey. I'd loved his playing on Cohen's best album New Skin for the Old Ceremony (an all timer if there ever was one) but had not realized he had a solo career until I came across this record, his eponymous 1975 debut. From the jump, the art pop tango of, ahem, "Hustler's Tango" signals that you are heading down the path of a very peculiar album. Theatrical in all the best ways, Furey's limited vocal range and sardonic delivery forms the center to a strange set of ever shifting spokes that cycle around him on any given track. At times you might hear a little Cohen influence in there, but this is a really singular work. Furey seems to synthesize a galaxy of styles: Kurt Weill, Marc Bolan, James Taylor, Lou Reed, ornate chamber pop, cabaret jazz, dissonant avant-garde composition and more. The arrangements are reconfigured from song to song, just as likely to feature trombone as marimba as castanets as banjo. It is an inspiring album to say the least. Furey's influence can be felt in the music of fellow Canadian Owen Pallett (formerly Final Fantasy) who unleashed their own singular brand of idiosyncratic neo-classical art-pop for 21st century listeners.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 7

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Neil Young - Harvest Moon CD $0.50. 

Neil has been a very slow grower throughout my life but progress was made in 2023, thanks in part to the acquisition of Harvest Moon, my first taste of the 90s Neil albums. Not a perfect record by any means, there's a dumb song about a dog for instance, but it's solid throughout and features some pinnacles of my NY experience thus far like "Dreamin' Man" and especially the wistful "One of These Days" which played constantly on my brain radio for two weeks straight during the summer.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 6

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

The Byrds - (Untitled) 2xLP $2. 

The Byrds' only "double album" (and only untitled album, through a hilarious misunderstanding with Columbia) is not a true double album. The two records are split between live recordings and studio recordings. The first LP is solid (opener "Lover of the Bayou" is a highlight) with rocked up renditions of famous Byrds tunes. I was hyped to check out the sidelong version of "Eight Miles High" which I'd imagined as a proto-Spacemen 3 psych-feedback-implosion but it's more of a middle-of-the-road 60s rock freakout, in my book. The second LP is where my real listening occurs as it's the studio LP they affixed the live record to. It's a really strong album, not as many peaks as some other Byrds albums but consistent throughout while maintaining their trademark eclecticism. Whether the Velvets-lite vibe of extended closer "Well Come Back Home", the lonesome, Sweetheart of the Rodeo-esque ballad "Yesterday's Train", the pure glee of the Leadbelly cover "Take a Whiff of Me", or the album's best remembered song, country rock supernova "Chestnut Mare" (so stupid! so catchy!), there's good reason to add (Untitled) to every Byrds home library.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 5

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Flatliner - Black Medicine 12" $3. 

I wrote about many Holodeck releases back in the day, pretty strong quality across the board. The Troller LP is great. The BOAN record is still one of my favs from the 2010s. And, of course, the label is most notable for being Survive's initial springboard, pre-Stranger Things. So when a Holodeck release popped up in my local bargain bin, it was a no-brainer buy. Don't know any of the details on this Flatliner duo (thankfully, they do list all the equipment they used so we know this is legit. Did you build that MFOS Modular yourselves?) but I don't need to in order to enjoy this 45rpm 12". Firmly situated in the instrumental, this-could-definitely-be-a-synth-score-for-a-movie-I've-never-heard-of genre and quite a strong example at that. Lead off track, "Blasted Highway" is the most exemplary (wait, is "Blasted Highway" a movie I've never heard of?). Very on brand for Holodeck. Another satisfied customer.

A playlist of tunes from each of the records I wrote about, I'll add a new song each day:

The 25 Bargain Buys of Xmas: Day 4

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Judy Collins - Wildflowers LP $2. 

There are few artists more "bargain binny" than Judy Collins. Go to any bargain bin anywhere, there will be at least one Judy Collins LP taking up residence. I guarantee it. I had ignored her records for years because I forgot the cardinal rule of record buying: price ≠ quality. I finally took a chance on Wildflowers at my local shop because it had a Leonard Cohen song that he'd never recorded (along with a couple other Lenny cuts). Turns out Wildflowers is chock full of cool stuff, obviously the version of Joni's "Both Sides Now" is legendary (so legendary that I had totally forgotten about it!) but Judy's own "Albatross" is a brilliant piece of pre-Kate Bush baroque pop. Two dollars very well spent.

The 25 Bargain Buys of Xmas: Day 3

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Nine Inch Nails - Pretty Hate Machine CD $2. 

Growing up, I'd always written off NIN as 90s mall-goth bullshit but I keep hearing year after year that they're amazing. Well, general population of people who say things about music on the internet and on podcasts, you've won. I finally gave Pretty Hate Machine an earnest listen after acquiring this CD and I dig it. I was surprised at how catchy this is, basically a meaner, hard edged Depeche Mode. Not fully committing to an NIN journey yet (I don't know how many more albums of Trent's lyrics I can handle) but this is a cool record, and one of the most successful independent releases of all time which I hadn't realized. 

The 25 Bargain Buys of Xmas: Day 2

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

Donovan - Fairy-Tale LP $2. 

I'm a big fan of Don's psychedelic pop sorcery (Wear Your Love Like Heaven was a majestic bargain bin discovery some years ago) but I had never bothered to dip into his preceding folkie, "I am English Dylan" phase. Perhaps unsurprisingly, that era is also damn good, based on this record anyway. Don's rendition/arrangement of the traditional "Candy Man" fuckin' slays! Literally one of the best songs I heard in 2023.

The 25 Bargain Buys of Xmas: Day 1

Much of my calendar year, every year, is spent sifting through record store bargain bins, estate sales, etc. and digging into the acquisitions. I win some and lose some, but I never write about it on AuxOut even though it accounts for a huge portion of my listening and discovery. In honor of the season of presents, I am celebrating some of the gifts bestowed upon me by the record gods during 2023.

 

Alice Cooper - Love it to Death LP $3. 

I probably first learned about Alice Cooper from watching Wayne's World as a little kid (wonderful performance by the way, I learned so much about Milwaukee). I didn't realize for a long time that Alice Cooper was a person but also a band, a band that Alice Cooper was in and then left. (My head is still spinning.) And, also, that not all of their songs are about Frankenstein, though Love it to Death does have "The Ballad of Dwight Frye" which is pretty fuckin' close. This is one of the earlier records by Alice Cooper (the band) after they'd blown town. The sandy Southwest was just not ready for these boys from Phoenix. Thankfully, Detroit welcomed them with open arms. The Coops definitely contracted some blood diseases from the Stooges and MC5 via bar brawls or blood oaths which mutated with their uncontrollable power pop urges. You could build a car listening to nothing but "Caught in a Dream".

ROCKTOBER 2023

Parker Allen - Melon Kolly/Parker’s First Song Diary [Ever/Never] 

I was quite excited when this cassette arrived in the mail earlier in the year, as a fan of Donna (formerly Parker) Allen’s work in Texas outfit Chronophage. As already evidenced in Chronophage’s frenetic post-whatever out-pop, Allen is quite the songwriter so a “song diary” intrigued to no end. The cassette shell calls this tape “aesthetic exercises” and that’s a shameless misnomer of modesty if there ever was one. These songs may be relatively simple home recordings but they are fully formed and undeniably beautiful, and could never be mistaken for mere exercises. I am an absolute sucker for top-notch songwriting in a home-recorded environment so I could write many, many words about this but I must stay disciplined. “We Could” recalls the Tascam intimations of Creeper Lagoon before they started making proper studio albums (think “Tonight was Fun”) and that hits me right in the lo-fi pleasure zone. Cyclical acoustic guitar and rhythmic wheeze in the background, total perfection. Allen exhibits both a strong grasp of melody and how to deliver it via oblique methods. Melon Kolly could be quickly summed up as “confessional folk music” except that Allen’s doesn’t sound like anyone else’s. Songs like “Mother” and “Afterbirth” are sweet and soothing yet keep listeners on their toes. “Imps” almost harkens back to 80s synth pop symphonies despite its modest and largely acoustic arrangement, it doesn’t take much to envision it as a killer tune by Simple Minds, Tears for Fears or Depeche Mode. The ratio of vocal tracks and instrumentals is about 50/50, and the instrumental pieces are some of the best the cassette has to offer, particularly the opening fingerpicked arpeggios of “Ankh” which seamlessly draw you into Allen’s world. The instrumentals often highlight a particular instrument (whistling on “Red”, melodica on “Rosemary Many Voices” and the gorgeous “An Award”) and many sit in a minor key but the jaunty “Sunday Painters” (perhaps a tribute to the Aussie band?) is much more wistful—porch music for a sunny afternoon. I hope this is the First Song Diary of many more from Allen. It’s much more ambitious than its humble demeanor would lead you to believe. 

Eyes and Flys - Swirl Maps [no label] 

Eyes and Flys, lead by Pat Shanahan and a shifting group of collaborators, have been regularly self-releasing 7” singles for the past several years, usually selling them at the prices of a 1997 mailorder catalog (this LP is only ten bucks on their bandcamp). In that time Shanahan has relocated from the frigid temps of Buffalo to the sunny climes of Long Beach. All that solar power has generated the first Eyes and Flys full-length LP, the ten-song Swirl Maps. The record exhibits a mixture of the various Eyes and Flys modes, whether it be classic knockabout music (opening thumper “Dogs on the Beach” and album highlights “Return to the Earth” and “Empty Safe”) or when they downshift into a mellower gear. Though when Eyes and Flys mellow, they rarely soften as heard on “Records and Books”, “St Roch”, or “Close Your Eyes” which flirts with straight noise. Shanahan’s perma-sneer tends to be the central throughline in Eyes and Flys’ music, but it does take a break on the goth-y ballad “Take The Keys” and the fuzzed up, free floating instrumental “Termino”. The eponymous “Eyes and Flys” from the band’s first 7” is revisited here in a faster, amped-up version. It's one of E+F’s catchiest tunes, a raucous four-chord stomper, now finely tuned for instant party. A welcome return even if it takes everything I have to restrain myself from putting a boot through my TV and chucking a lamp out my living room window. Most interestingly, “Cactus Flowers” nudges Eyes and Flys into an almost Royal Trux-y direction, revamping various 70s guitar moves into its punk architecture, perhaps gesturing to a future cock rock teardown/reconfigure on record #2. I’m down. Oh, I almost forgot, there is some fierce tambourine playing on this record! 

James Fella & Gabriella Isaac - Performances [Gilgongo] 

I was a fan of James Fella’s and Gabriella Isaac’s previous LP CCTK Music (which you can read more about HERE) and I’m a fan of this here follow up Performances as well. The first track is another performance of the piece “CCTK Music” where Fella and Isaac mix and manipulate six stereo reference lacquers running into a 12-channel mixer summed to a final stereo output (a handy visual diagram is included). Just as on the preceding LP, the duo wages war with noise, sculpting lacerating feedback and industrial-sized low frequency churn. For all those, like me, who enjoy having their inner ear scraped. In addition to this new performance, Isaac and Fella each contribute a solo performance—unrelated to "CCTK Music" as far as I can tell. Issac’s comes first and it’s comparatively minimal, if no less aggressive. Between the sharp digital pings, groaning bodies under the topsoil, and sheer sonic terror Isaac unleashes when she takes the gloves off (keep your hand near the volume knob if you wish to survive) this track takes the top of my head clean off. Expertly composed/improvised, the track makes for beloved discomfort, particularly near the end where quick blasts of static fracture and multiply in eternal irresolution. Bravo! Fella, alternately, contributes a tape machine-based piece, where the audible mechanical functions of tape machines become the primary tissue of the composition. Fragments of audio playback weasel their way in. Sometimes you catch the echo of a guitar, or a piano, or a voice, or a TV set. They are just fleeting glimpses while you spiral into hypnosis. Noises start to come faster, the relaxation becomes unsettling, uncertainty sets in, “did I already hear that sound before?” A sustained tone grows from somewhere amid the skittering static, getting stronger, and that’s the creepiest thing on the pallet. It’s a terrifying, grinding come down from Side A. What a ride. Given not only the overall quality, but the variety at play here, Performances actually surpasses its predecessor. And the cover is none more yellow, you can’t not love that. 

Post Moves & The Sound Memory Ensemble - Recall the Dream Breath [Moone/Lobby Art Editions] 

A new artist to me, Post Moves combines two of my many interests, basketball and pedal steel. (If you’re not already fascinated by pedal steel, get with it.) Post Moves is the nom de plume of Sam Wenc, here credited in conjunction with The Sound Memory Ensemble to highlight contributions from Kyle Field (Little Wings) and John Dieterich (Deerhoof), as well as Wenc’s work on many instruments beyond pedal steel (such as percussion and bowed strings). The first half of the record consists of “composed” pieces and then segues into pieces that were improvised (or developed during recording), though the record moves along far more seamlessly than that sounds. The first (“composed”) side consists of opener “Grief Fields” and “Lorraine’s” and it’s quite beautiful, taken in its entirety. There is a gently undulating quality as instrumentation is gradually added after the initial pedal steel rumination, then peeled back again and so forth. To my ears, inspiration is clearly drawn from early Godspeed You! Black Emperor (there’s even a spoken word piece via Field that materializes from the ether) but Post Moves is clearly mapping its own territory with the lovely textures of the rustic arrangements and a free flowing lonesome desert spirit (despite this being recorded in the Northeast!). Where GY!BE was a paranoid heart attack at the time, Recall the Dream Breath is comparatively soothing, wryly languorous and contented. Although it is one of the “improvised” pieces, I must say “The Ladder’s Shadow” is the most evocative and gloriously accomplished piece on the album, including its sinister conclusion. Appearing smack dab in the middle of the record, it easily represents its peak. Chock full of atmosphere but not dull or formless in the least, Recall the Dream Breath is a wonderfully conceived and orchestrated record for many occasions. 

Strapping Fieldhands - Lyve: In Concerte [Ever/Never] 

Whether it’s “Philly’s Finest” or “The best post-skiffle group on the planet”, Strapping Fieldhands, one of the most exemplary musical outfits generated by 90s America, are known by many names. They were once viewed in the loose group of “lo-fi” bands from the early 90s alongside Pavement, Grifters and Guided By Voices (they’re even thanked on Bee Thousand) but they never got as much shine as they should have compared to their peers, at least in my view. It's absolutely incredible that the band is still going after 30+ years and we should all rejoice at our good fortune. Surprisingly, the Hands have never been bestowed the “live album” honor they’ve so richly deserved, until now that is—thanks to our guardian angels at Ever/Never. The recordings comprising the LP are from 1993-96, recorded by legends in their own right, Mike Rep and Tommy Jay (R.I.P.). So many classic cuts appear here (“He’s Right!” “Arrogant Flower” and on and on) with the majority of the setlist drawn from their first LP Discus and their essential 10” In The Pineys. With those being my two personal favorite Fieldhands releases, it will come as no surprise that I’m as happy and pleased as clam punch while listening to Lyve: In Concerte. (It should be noted that some songs appear with alternate titles, “Kiwis Go Home” is billed here as “I’m Going”, for example.) Double pleasure for me because a couple of songs that only appeared on compilations I don’t own appear here (“Just Too Much” from the Pimps Toe Accelerator comp and “Ollie’s Interfader” from Carry On Ooij (A Brinkman Waaghals Compilation)). 

Picking out highlights here is a bit of a silly exercise because they’re all hits. I will say that the rollicking “He’s Right!” is perhaps my favorite Fieldhands tune and the version captured here does not disappoint with the band sounding surprisingly tight with livewire energy. Nevertheless, the Fieldhands' finest moment on Lyve may just be their epic rendition of “Lonnie Donegan’s Mum’s Tea Chest” which gets me hootin’ and hollerin’ every time. I’m also delighted that a version of “Future Pastoral” made it onto the record (tagged as “I Don’t Know Why”) replete with sick accordion accompaniment.  

Oftentimes, live albums prove to be a for-fans-only proposition. Lyve: In Concerte, however, also serves as a great introduction to the band. It may lack some of the softer, more intricate moments present on their albums but fully captures the spirit of the band plowing through a collection of classic tunes. Recommended for longtime fans, new fans, and fans-yet-to-be. All hail the Hands! 

Gene Tripp - The Ghost of Gene Tripp [Moone/SickSickSick] 

On the heels of Caleb Dailey’s LP from last year, Moone Records, alongside fellow desert explorers SickSickSick, are back with another cosmic country platter. The Ghost of Gene Tripp is an altogether different beast, however. Whereas Dailey sounded drowsily in love with life, Tripp (alter ego of Jay Hufman) reeks of forlorn menace. In fact, this 12” boldly begins with several minutes of blistering static and bowed drones, part way between the bucolic feedback of Flying Saucer Attack and spicier firestarters like Hototogisu. My favorite moment of the record comes right in between the first two tracks. The aforementioned voiceless firestorm suddenly yields to Tripp’s booming baritone as “Trains” springs to life. Lonesome ambling set against downed power lines smoldering ten yards yonder. It is a splendidly jarring juncture as Gene’s ghost cracks open, leaking out a sticky black goo of rippling guitar and spooked out strings, while feedback yelps in the distance, intent on survival. The combo of those two tracks is a real barnburner and quite possibly my favorite 10 minute stretch of 2023 sounds. The high point may come early but Tripp doesn’t rest on his laurels. “Give Up” and “Go Home” hew closer to Gene’s presumed upbringing as a country & western balladeer without betraying the wilting atmosphere of danger. “Blurry Clouds” marks the most harmonious point of the record as voice and guitar picking slip into the warm arms of a string machine, a brief respite from the corrosive hiss. Recommended listening while underground (basement, subterranean cavern, whathaveyou), with all light sources extinguished. 

Witness K - Witness K [Ever/Never] 

Two of the most common origins for fantastic listening experiences are Ever/Never records and Australia. The two parties’ handshake agreement has most recently given the U.S. shores such wonders as Spiritual Mafia and Cured Pink. While Witness K shares personnel overlap with Cured Pink, they’re certainly no copy. Cured Pink operated very much in the vein of a 21st century This Heat, while Witness K—though carrying over the rhythmic underpinnings and subtle paranoia of that sound—forges a pathway through both the home-fi avant-garde (The Shadow Ring and its offspring) and the well-funded avant-garde (20th century Minimalism). (Check out that ascending/descending flute line on “Reasonable Minds May Differ”. Choice.) All that said, the group’s eponymous debut LP is surprisingly inviting. Whether spun upon waking, before bed or at high noon, it pleasantly worms its way into any space, at any time. The album’s lethargic insistence assures that it never overwhelms nor does it bore. It's a warm tub to soak in for as long as you like, free from the derivative “ambient” horseshit we’re subjected to on a daily basis. There’s not a perfect RIYL analog to select for Witness K, which is the absolute most a listener can ask for, but the closest I can muster is Movietone. Not the same sonically, but clearly a spiritual resemblance to my ears. If you’re listening to Movietone, you should be listening to Witness K. If you’re listening to Witness K, you should be listening to Movietone. If you’re not listening to either, get outta my house. A killer LP well worth your time. 

Xerex - Xerex Meets Dracula [No Part of It] 

Screaming Lord Sutch, Xerex is not but that doesn’t mean you can’t soundtrack your next Halloween party with Xerex Meets Dracula. It wouldn’t be one of those “fun” Halloween parties, more of the haunted variety. Manipulated samples of church bells, droning pipe organ and filtered synth churn litter the brooding proceedings. Meditative but certainly not soothing. Oh yeah, I’m burying the lead here. Xerex, according to the back cover, is a conspicuously “anonymous” duo of German brothers named Karl and Jan, a pair of conjoined twins who happen to have been grown in a petri dish as elderly mathematicians in 1972. Do with this “information” what you will! This CD is an expanded reissue of a hyper limited LP because the kids were clamoring for more.