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Lisbon-based project Lace Bows offers much to be excited about. Galvanized distorted frequencies jump out of the gate twisting and turning before cutting to a brilliant stuttering synth line. Really subtle but incredibly evocative, potent and catchy. There's this great sharpness to the sounds that belies the smooth melody beneath. Finely carved, square-wave tremolo gives the illusion of more of a beat than there actually is creating a lot of complexity to the piece. It's so thoroughly fragmented that it reads like a blunt, psyche-induced dancefloor groove for the unbalanced mind. Filtered sweeps of keyboard melodies play nicely with the stuttering synth line, softening the rough edges. For awhile the keys are on their own until the serrated synth returns. Upon a hearty pulse, an oscillator wigs out in step with the beat. The side ends suitably with a sampled, real life dance song and Lace Bows adds in a heavy, shuddering percussion loop which eventually gets eclipsed by noise. Killer jam, all the way through. The first of two pieces on the second side starts with a brittle two note synth figure. It's backed by a synth loop and another stuttering synth is given free reign to go off on its own solo tangent. A very melodic piece somewhat obscured by the harshness of the tones (though this is not harsh noise.) Another stuttering synth joins rank and the two prickle and please in stereo. After the piece wilts slowly away on the two note loop and the final piece starts up. Beginning with a spacey, isolated arpeggio, the piece uses thick delay to its advantage whipping up all sorts of polyphonies. I particularly like watching the keyboard morph into a percussive shell of its former self at the end. All in all, it's a great tape! I'm sure we'll be hearing more from this project in the future.
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Both releases are still available but very limited, Melted Glass to 40 copies, Lace Bows to 35. They each have cool artwork but I'm really feeling the whole aesthetic of Ana Fialho's art on the Melted Glass tape. Cubic Pyramid looks to be up and coming, get in on the ground floor.
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