We have a salty/sweet astrological double feature on the docket this evening from the Bay Area's preeminent lunar linguists at Moon Glyph. Let's get to it.
Ivy Meadows - Zodiac [Moon Glyph]
The praises of this one have already been sung by much sharper individuals than I, so I'm not sure how helpful me chiming in is, but that's a question I've asked since AO's inception. Why answer it now?
From the first glimpse of Zodiac my antennas were up: (1) We've got a handsomely packaged tape with a watercolor of a spirit woman (wrong term I'm sure) on the cover with the scrawled subtitle "Magic is life." (2) We've got a heavy dose of the astrology horseshit that I've spent nearly 30 years ignoring in the form of 12 tracks each named for a sign of the zodiac. (3) And, perhaps most importantly of all, this is a long-ass tape. (Hard to tell with pro-dubs but probably a c-90.) I was all ready to write the "how many fucking 90 minute neo-New-New-Age cassettes do we actually need on our cramped shelves?" think piece which I'm sure would have gone over swimmingly. Ivy Meadows threw a wrench in my plans, however, because after a few listens I gotta say this is good stuff. Meadows a.k.a. Camilla Padgitt-Coles is clearly very skilled at crafting these ethereal wisps and imbuing them with gravity (I've heard legions of mediocre drones in my day, so it's easy to spot talent when I hear it.) She doesn't just drench everything in reverb and call it good. Rather, Padgitt-Coles finds the right balance between too-little and too-much nearly every time. And this thing just sounds stellar (props to Zeljko McMullen's mastering as well).
The extent of my criticism of Zodiac is simply that it's too long. "Taure" is nice but I don't need 9 minutes of it. With the most unambiguous rhythms on display, "Géminis" gets the blood pumping near the middle of the album which is welcome but it could stand a bit of editing as well. Yet, because I'm forever the hypocrite, the longest track "Capricorn" may actually be my favorite. Go figure, I'm just a mixed up kid.
As with all things this comes down to taste, some folks wanna jam out to the dulcet tones of Zodiac for an hour and a half, other folks (me) would rather have an abridged c-30 but the vibes are good ones nonetheless.
Grab the tape from Moon Glyph here.
Capricorn Vertical Slum - "Various Portals & Sleazo Inputs Vol. 1: Tourism" [Moon Glyph]
Sticking with the zodiac theme, we move on to Capricorn Vertical Slum. The stars aligned for me on this one (is that how astrology works?) as I came across this cassette of an early Moon Glyph vintage (MG13 if you're a nerd) during some bandying about the state earlier in the year. The differences from Ivy Meadows are stark, but I always welcome differences into my tape deck.
In fact, the vibes fit well within the "that's my shit" zone. Buzzy, scuzzy, slob-on-the-outside/savant-on-the-inside hand smeared tunes. Probably a lazy comparison but Psychedelic Horseshit popped to mind, though CVS eschews the against-the-grain, "fuck you" petulance for a more eager-to-please beating pop heart. In particular, "Palatial Estates in Wallpaper" and "The Best Cocaine in the Canyon" are wisely indebted to Marc Bolan's bubblegum stomp and it doesn't take a lot of squinting to imagine a different version of rock history featuring a teenage T. Rex whittling away on his Tascam during the summer of 1989. Even the ballad on the b-side is really a well-formed change of pace in the bedroom genius mold. Eight good songs, zero bad ones, no time wasted, thumbs up. I wish reviewing music was always this easy.
And now for the bad news, according to Discogs, there hasn't been any new music from Capricorn Vertical Slum (or its single credited member, Colin Johnson) in eight long years. Basically, where the fuck is Various Portals & Sleazo Inputs Vol. 2? What gives, Universe?
You are in luck however, because these suckers are still for sale on Moon Glyph's website for a lowly fiver. Act on your impulse here.